This track is a pondering about domestic violence. Music was made on Amiga 500 with MED: so only 4 mono channels (after 5 tracks I passed to Oktalizer which offered 8 - gosh! - mono tracks).

Like All Eight-Bit Deboned tracks, It's the Loveliest Thing I've Ever Heard is minimal avant electronics similar to Bruce Haack / The Residents outputs.

Thar Desert 2.0 is not only a 720p version of original Thar Desert videoclip: here I added about 150 new animation elements.

It almost became a different video, more frenzy and with a different final scene.

HD 720p version of original Belief: Wrath videoclip, i just made a few modifications according to the higher resolution (it's easier to catch little imperfections...) and added sparks when hammers hit the anvil/snare.

This is HD 720p version of Belief: Greed videoclip, but this time I used Peyote animation without cyan color, so the result is more crude, and gained more contrast (black on white instead of cyan on light cyan); plus I corrected a couple of dropped frames.

Track is about a great female historical figure, Joan of Arc, juxtaposed to middle east singers, and a quirky muezzin.

I worked with paint effects on some footages about Crusades, Jeanne d'Arc and east europe (looking like a little middle east) singers. Track is, briefly, about the juxtaposition of western guitar arpeggios and middle east vocals.

Video got subtitles in english and italian for people who don't speak russian (you can activate subtitles from youtube player options menu).

Subject of video is swines. I like them, they're clever and it's a stupid common place they love to squelch in the dirt. Vietnamese little pigs are clean like cats. 

Video is an operatic dadaist inferno - where pigs are menacingly main characters. Not an happy end (as it's my favorite mood), but everybody knows what's a swine destiny (no gory images, anyway). I think also a good video introduction for a live show, to let the people get at once what's the overall climate.

Thar Desert is a 5/4 signature funk metal track inspired by Les Claypool odd basslines but also in debt with Chic's Bernard Edwards. It's something near to funk progressive, with a hammering atonal compulsive riff.

Soundtrack is third movement in Belief suite from Outskirt, the most avantprog track in the whole record, clearly inspired by Thinking Plague, 5uu's, Cheer-Accident and Henry Cow awesome works - to name a few. Video part is a fake aged cartoon, an animation titled Peyote I did in '93 to send to some animators contests, about a 60s hippie having a peyote experience on a mexican mesa. It's bare cel animation: I prepared all the frames on paper, drawing them with a large felt tip, scanned and assembled with Macromedia Director.

Song is fifth movement in Belief suite from Outskirt. It's a tribute to "TBA" by Shinu Mazafakingu Ujimushi, an english grindcore band who recorded only that song - better, a first take of a possible song, with horrible recording "quality" - on a Lo-Fi or Die compilation.

I replayed (almost) slavishly same drum sequence, with different timbers and sounds, and recreated the "roaring" with three violas. The result is kind of "Kronos Quartet plays Shinu Mazafakingu Ujimushi".